Amy Scripps

Posts Tagged ‘YA lit’

My New Book

In what I am doing now on May 30, 2012 at 6:59 pm

Hi there. I wanted to check in and let you all know that I am almost done with my second YA novel, entitled Dredged Up. I am so excited about the book and I just love the characters. Like Cinnamon Girls, it is a bit edgy, and concerns a character who is a passionate misfit and his like-minded friends, who happen to be girls. It is partly set in my current home town, Santa Monica — a place that has gorgeous exteriors and more complicated inner workings…
Dredged Up is the story of a Junior at Santa Monica High, Aiden Averill, who has an out of character moment ihat spurs him to deck the school’s celebrity, pop star Jacob Hangar. Aiden is banished to Edgemont Academy, a stuffy boarding school in Virginia. There, through an encounter at the school’s lake, he discovers he is not the only one on campus with full blown skeletons in his closet…

It only took me a year to write this one as I have gotten better at morphing into “writer-warrior” mode and defending my writing time, no matter what else is going on in my life. Thanks to all my friends and loved ones who have supported me — again — and to my husband who has rightfully said, “You are really hung up on high school.”

Getting into the Teenage Mind: The Attraction of Risks

In Uncategorized on September 16, 2011 at 5:39 pm

I am currently writing a teen boy character, and I’ve been looking in to how they think and act. In a sense, I am inherently writing from the viewpoint of an unreliable narrator, because there are deeply irrational thought processes as work here which, unless you are under the influence of a powerful cocktail of adolescent hormones, you must stretch to understand. Slate published a series on risk and the adolescent brain last year that has been helpful. Basically, if you are writing a character with normal logic who is 16, you are not doing your job as a YA author. Check it out:

Vacation From the Book?

In Uncategorized on June 25, 2011 at 3:24 am

I planned to write every day on this vacation. It should be no problem, as on vacation I have much more free time than during my exhausting normal routine. But the first thing I did was forget my laptop plug at home. Must admit I wondered if this oversight may have been a subconscious need to take a break.
What do I do without writing? I fill each day with travel, friends, babies, relatives, clients, cover to cover NYT reads, books (none of which I’ve finished), walks in the rain, amazing scenery and of course, a smorgasbord of scrumptious food. As Andy McDowell’s character in Sex Lies & Videotape says wistfully, “I was happy once. I got so fat…”
I love that quote because it speaks to the beautiful but messy process that unfolds when we let go of discipline and let ourselves, as they say, roll with it. It’s an intuitive state that happens to be fertile ground for ideas, even if for the moment they remain “up here.” (tapping my temple)
Not that I haven’t tried. I bought two notebooks, both sitting in their bags. Tomorrow marks the passing of the first week of vacation. I’ll open a notebook and get cracking in honor of my journey’s halfway point. I’m actually looking forward to capturing some of the ideas kicking around in my head.
Okay, there, I’ve made a commitment. One thousand words or bust. And if it feels too much like work, I’ll nibble on some really good chocolate while I crank it out.

My Husband Says I’m Obsessed with YA

In Uncategorized on May 13, 2011 at 11:16 pm

Not in an icky way, but in a sociological way, I study young adults and make a concerted effort to know what’s happening with them. My husband says I’m obsessed, and surmises that unfinished business in my high school years fuels my fascination for anything teen. My reply to that is a resounding, “no comment.” I am not interested in why teens interest me, but being a YA novelist surely gives me license to observe and try to understand them.

For instance, I was getting a latte at the Coffee Bean nearest Santa Monica High right when school got out. Sure enough, it was a treasure trove of teen watching as I scanned the mob, searching for the depressed teen walking home alone, the teens in happily unruly mobs, the young lovers intertwined, and the brainiacs with backpacks larger than their bodies. As a writer, this is where the dramatic paydirt is – the moments when hopes are dashed for the first time, when betrayal is a fresh and ferocious feeling and love is a new invention you and your boyfriend just came up with. Of course, my children are much younger so I’m able to witness the dysfunction and pain of adolescence in a somewhat detatched way. Who knows, maybe when I actually have teenagers I’ll have to steer clear of writing YA. It may hit too close to home…

Why I love Teen Genre Movies

In Uncategorized on January 12, 2011 at 11:26 pm

I just wrote a really long post on this topic and by mistake I clicked on something that erased it. So here I go again… on the topic of teen movies and why they are so damned great. Dazed and Confused, Election, Fast Times at Ridgemont High, Desperately Seeking Susan, Something Wild, Pretty in Pink, Diner, Mean Girls, Napoleon Dynamite — the best of the genre serves up teen characters not just at a low point but at the low point of their young lives.

For instance, in Mean Girls, “the law of the jungle takes on a whole new meaning when the home-schooled 16-year-old enters public high school for the first time and encounters psychological warfare and unwritten social rules that teenage girls face.” (imdb.com) I want to start out every YA novel depicting stakes that are ratcheted up for young adults encountering the Machiavellian twists and ruthless pecking order of the world for the first time.

Angst-inducing events happen later on in life, too. It’s just that they don’t devastate us like they did first time, when our hormones were raging and we thought we were so desperately unique and poignantly alone. When teen genre genius John Hughes died in 2009, the public and industry outpouring far outshone that of more award-winning and “prestigious” directors. Hughes wasn’t afraid to return to that middle-of-the-road city in Michigan where he grew up and render up the simple, comical truths of growing up in the American middle class, in all of its non-slick and unsophisticated glory.

Whenever I need a jump start into the consciousness of a high schooler, I know what to do. Thanks, teen genre screenwriters and directors. Even though your movies often become laughably dated, their emotional truths will hold up forever.

Libba Bray, I can’t wait to read your book

In 1 on April 16, 2010 at 7:26 am

A shiny copy of Going Bovine is sitting on my bedside table today and I can’t wait to crack it. I was lucky enough to see Libba Bray speak last Saturday and she seemed like such an organic, prodigious talent. It’s inspiring to see the level of literary creativity in the genre right now. I need to see what I would call “real writers” in YA, because I do get discouraged by some of the extreme genre work out there. Mainly because I know I couldn’t do that kind of work.

When asked what made her write and how she became a writer, Bray told of a personal tragedy that turned her diary into her lifeline… and the rest was history. Thank you, Libba, for sharing this with us and for your courage to busta move out of the expected.

You also have a career in standup should you ever tire of being a Michael L. Prinz Award-winning writer…

Excerpt #3

In 1 on February 18, 2010 at 11:54 pm

After examining the grime under my fingernails, I broke the silence.

“Do you miss it?”

“What?” Lisa asked.

“Home.”

Lisa looked at me then went back to her charcoal sketch of an unlaced hiking boot. A fresh wave of anxiety doused my stomach as I waited for her answer.

“Hell no,” she finally murmured.

“Not even laying out at the Boulder Reservoir? Or going to Chautauqua?”

“A little sun would be nice,” she smiled.

Chautauqua was the park in Boulder where our neighborhood west of the university, known as The Hill, dead-ended at the foothills. Nestled just below the city’s jagged Flatirons – gentle mountains faced with massive sloping anvils of red rock – the park was a hub of activity for college students heading out for a hike or a Frisbee match, and for idle teenagers. While two-dollar movies played in a cavernous old wooden theater, bands of our friends roamed the foothill trails, having told their parents they were going to the movies.

“Why did you want to get away so bad? Did something happen with your mom and Tim?”

“Well, after he moved in, I could hear them at night.”

“Gross.”

“I know,” Lisa said in a low voice. “But that wasn’t really the reason.”

“Really?”

I wanted more details on her mother and Tim, but I decided not to ask. Teepee life didn’t offer much in the way of luxuries, but it did offer a ton of privacy. I didn’t want to invade hers. I was worried that Lisa rued the day she gave up her sun-drenched summer at ‘the ‘Res’ to isolate in this cold, glorified mud puddle. To distract myself from my imminent abandonment, I scribbled anxious notes in my journal. Suddenly, Lisa looked up from her sketch.

“Remember Mrs. McBride – Trish, who I babysat for up on Mapleton Hill?”

“Yeah…”

I had visited Lisa at Trish’s house several times over the winter. An imposing white brick house with green shutters and colonial columns, you could pick the whole house up and plunk it in one of the east coast’s most stately suburbs and it would fit right in.

“She kind of spilled her guts to me.”

“Really? She seemed stuck up when I met her.”

“Yeah, that went out the window after I’d worked for her for a few months,” Lisa said. “She’s actually really friendly.”

Mapleton Hill was a leafy, tree-lined street that culminated in a narrow but beautiful canyon. Our house was near by, but being Mapleton-adjacent was a far cry from actually living on Boulder’s nicest street. Trish McBride and her professor husband had moved away from their upper crust roots, but her blue blood pedigree permeated the house’s museum-quality oriental rugs, Tiffany candlesticks and strikingly well-painted family portraits hung amidst Trish’s stark black and white photography.

“What did she say?”

“She said she wants to raise her young children in Boulder, so they can have a normal childhood. Then she told me she is horribly lonely.”

“No duh! She’s telling her life story to the babysitter!”

“She hasn’t slept with her husband for two years.”

“Whoa. Weird.”

“That’s nothing compared to what came next. She told me that she was attracted to women, and that over the past few months, she had fallen in love with me.”

“Gross!” I gasped.

Lisa looked up from her sketchbook.

“You think?”

“I don’t know. I just can’t picture her telling you that! Did you freak?” I asked.

“By the time she finally said it, I kind of already knew.”

“Did she make a pass at you?”

I was practically shouting. I mentally vowed to calm down. Lisa was confiding all of this in such a quiet, unperturbed voice.

“No. She never touched me, except for an occasional shoulder rub. We used to give each other shoulder rubs.”

“What did you do?”

“I told her I was flattered but I just want to be friends. But things were never the same after that. I didn’t really want to have any physical contact with her. She’s a nice lady, and I didn’t want to hurt her feelings. But I got creeped out by the shoulder rubs after I knew what she was thinking. I had to tell her to stop.”

“What a trip!”

“I try not to judge her, because she’s really nice. And she wanted to help me out so badly. She asked me to keep working for her, and I did. But often, she wouldn’t even go out. I didn’t really know what to do. It felt strange, like she was paying me to hang out with her.

Outside, the rain swept against our canvas walls in sheets.

“God, she sounds a little desperate,” I suggested.

“Yeah. I know. By the time you invited me to the teepee, I was ready to just get away from the whole thing.”

“Damn. The woman doesn’t look like a lesbian.”

“What does a lesbian look like?”

“Motorcycles and lots of leather,” I said.

Lisa laughed.

“Not always.”

Lisa got up, threw on a poncho and stepped out of the teepee into the rain. It seemed like she considered the matter closed, although I had hundreds of questions about Trish, her bizarre confession and, most of all, Lisa’s reaction to it. How would it feel to let your guard down with a woman and to find out that she was just as hot for you as any guy? For a moment, I honestly felt for Lisa. I wanted to ask if having everyone – even women –  want you got to be a nightmare. But I decided not to probe. If I showed too much interest in Lisa’s secret, who was to say she wouldn’t uncover mine?

Writer’s group tonight. Why the fright?

In 1 on February 10, 2010 at 1:11 am

At 7:00 tonight I will attend my monthly writer’s group. Tonight the group  will critique a portion of my YA novel in progress. As always, I dread it while being wholly committed to showing up. Despite my pervasive bad attitude, I remain grateful that a small group of fellow writers will take the time to skewer me (or not). These sincere readers will devote a good chunk of their evening to my manuscript, even though all are busy Los Angelinos with their own projects. I always have a good time so why is it such an internal battle to face the music?

The core source of my dread is also the most interesting aspect of the group: my story and characters will be critiqued. This will the first and most innocuous occasion (of many, I hope) when I will buck up and smile, nod, scribble notes and in general feign fascination with every niggling criticism of my WIP. Perhaps the reason my stomach titters is that critique groups are always a brush with the unknown. Will they gush over it and tell me not to change a word, just ‘keep writing’? Will they tell me they liked that other idea from a few weeks ago much better? Will my readers understand why this idea — amidst several other book ideas they have critiqued recently — inspired me to take the leap and start the years-long journey of writing a novel for potential publication? I do not know what they will think. Therein lies the terrific value, and attendant stress, of being critiqued.

The process of writing is magical. I already think of my girl protagonist often and wonder what she would think and do in a given situation. But I am still getting to know her. I want her to be vulnerable and raw, so that the reader keeps reading to see if she will combust or get plowed under. But I don’t think I’m there yet with her voice. She is too matter-of-fact still. I know that I will be able to work on that, adding depth to her voice as I gain understanding of her backstory and her present conflicts. Yes, as you can see, I am not without my own inner critique – if I didn’t have a good sense of what is working and what is not I’d be a weak writer. The reason why I’ve shown up for a writers’ group for years is so because others point out things I don’t see about my WIP. This is a terrifically important step in the process of crafting a superior book. A novel polished enough to blow someone’s mind out there.

There are scores of gatekeepers whose main job is to say no to us. What we do with our writers groups and critiques and work shops and support groups and classes and voracious reading and Facebook-ing and tweeting is to build something that can weather the tough editorial process. I hope this doesn’t sound bitter, because I’m not. I am simply a pragmatist whose sole aim is to turn out the best material I can muster.

I already know I am going to write this book. So tonight, I am going to quietly show up, with a sharpened pencil and a receptive heart. I will thank my fellow writers, for reading my pages and taking the time to share reactions to my work. I may be tweaked and even pained by your comments, or I may be flattered and greatly heartened. It doesn’t really matter which. It’s all just one more day in a chain of days as I undertake the job of being a writer – a job I feel thrilled and blessed to pursue.

click on the picture to find a critique group near you

My friend Shaun went to Sundance…

In 1 on February 4, 2010 at 1:29 am

click on photo for full story

Sundance Film Festival is always overwhelming, and this year was no exception. How do you weed through a film catalogue that reads like Encyclopedia Britanica? One way to narrow it down is to focus on films adapted from books. There were at least five this year: Twelve (Author: Nick McDonnell); Winter’s Bone (Author: Daniel Woodrell); The Extra Man (Author: Jonathan Ames); The Taqwacores (Author: Michael Muhammad Knight) and The Romantics (Author: Galt Niederhoffer.) What a thrill it must be for these authors – to see a filmmaker take on the monumental task of bringing their story to the screen.

The year before I went to grad school at Columbia, I spent a winter working for Sundance as their press liaison by day and volunteer driver for the Sundance Director’s and Producers’ Labs by night. From driving Oliver Stone in from the airport to suggesting screenings to Roger Ansen and Pauline Kael, it was a heady and inspiring time. When I look at this photo Shaun took last week, it brings it all back – along with his tales of near-all-night parties and tagging along with Sundance folks to screenings. Long live the spirit of indie adventure – in films and in the books that inspire them.

Franny & Zooey is one of my favorite books

In 1 on January 28, 2010 at 7:12 pm


Although he became known almost as much for his reclusive ways as for his seminal YA novels, JA Salinger is a giant among writers. What impressed me most about him was his ability to give us narrators that intrigued – they weren’t quick to unlock their secrets or reveal their demons. Salinger left that job to the reader, and that’s why we pored over them again and again.
As for the reclusiveness, if I could pull that off I’d have written 10 novels by now. RIP, J.D. Salinger, you will always be my ultimate idol.

Follow

Get every new post delivered to your Inbox.

Join 148 other followers